Fine & documentary photography
Your days, printed like an exhibition.
Weddings, portraits, brands and events, photographed with gallery patience, clear packages, stated delays, and a private gallery at the end of each one.
- 11 yr
- of commissions
- 48 h
- first photos back
- 100%
- galleries private
Plate I, the day itself, untitledthis season
The four rooms
a walk through the work
On the main wall
The signature commissions
Full wedding day
From getting ready to the last dance, twelve hours of discreet coverage, told like the story it is.
Signature portrait session
Ninety minutes, natural light, two outfits, portraits that look like you on a very good day.
Headshots for teams
A mobile studio in your meeting room, consistent, confident portraits for the whole team in half a day.
The method
How a commission unfolds
The same care for a wedding or a workshop, and the delays written down, because waiting without a date is the unpleasant part.
Scouting & brief
We talk intentions, places and light over coffee or a call. For weddings, I walk the venue before the day.
The sitting
Close, quiet work. Direction only where a portrait asks for it, and it sounds like conversation, not choreography.
The edit
Culling, colour, and a print-grade pass on every kept frame, no trend filters with an expiry date.
The delivery
A private online gallery, high-resolution files, print rights, and a sneak peek within 48 hours, long before the full set.
Behind the camera
"The best photograph of any day is rarely on the schedule. My job is to still be looking when it happens."
My style leans documentary: real light, real gestures, the second before and after the obvious frame. Eleven years of commissions have taught me that people relax when the camera stops being an event, so I make it disappear.
I scout every place before I shoot it, arrive early, and stay until the story is over. The editing is mine alone, frame by frame, nothing is outsourced, nothing is batch-filtered.
From the catalogue
recent commissions
Real shoots, named with permission, a sample gallery full of models would prove nothing about your day.
Claire & Yanis, a vineyard wedding
Twelve hours between the vines and the dance floor, shot like a family album nobody posed for.
Nina & June, city hall in the rain
Fourteen guests, two umbrellas, one kiss on the steps, proof that small weddings photograph enormous.
Margaux, cellist
A portrait series across a season of rehearsals, rosin dust, stage light and the second before the bow drops.
Three generations, one kitchen
A Sunday-morning family session around a ragù that took longer than the shoot.
The luthier of Rue Bouffard
A full day in a one-man workshop, varnish, wood shavings and forty years of patience.
Helios Summit, 400 delegates
Two stages, six hours, three hundred photos delivered before the closing party ended.
What clients say
After the gallery arrives
Example reviews, replace them with real ones once you have permission to publish.
We forgot the camera was even there. Then the gallery arrived and we cried all over again.
I hate having my photo taken, and somehow these are the first ones I actually like.
Fifteen people, one afternoon, and every headshot finally looks like it belongs on the same page.
The register
Book a date
Tell me the date and the story around it. I answer within 24 hours, and I never hold two commissions on the same day.
A date is reserved once the deposit is paid, until then it stays open to the next request.